Drawing on early and traditional melodies - from a 13th-century rota to a traditional song from León - this project reshapes historical material into a personal and living repertoire. Each piece becomes a dialogue, (re)composed through breath and movement, where interpretation becomes creation. Things reveal themselves in the encounter with the foreign. Variatio delectat is not merely an aesthetic principle, but an ontological one. It is through difference - through variation - that identity becomes perceptible. In this program, I explore variation not as embellishment or surface play, but as a mode of understanding - a way to hear more clearly and deeply, to trace the evolving shape of an object, a voice, in contact with what is not. Per Varia is a personal collection of pieces with which I have communed throughout the years: a 13th-century rota, a traditional Leonese song, a late medieval Italian istampitta, fragments of musical thoughts: these are reheard, reshaped, (r/de)composed. They form a living repertoire - intimate, unstable and true to the act of making music.